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Lascaux cave

Lascaux

Home
- A visit to the cave
- Enter the cave
- The Hall of the Bulls
- The Axial Gallery
- The Passageway
- The Nave
- Chamber of the Felines
- The Apse
- The Shaft
- The Setting
- The Vézère valley
- The archaeological context
- The geological context
- The Lascaux cave
- Parietal art
- The rock support
- Access to the walls
- Lighting
- Portable objects
- The raw materials
- Themes
- The techniques
- Perspective
- Construction of the images
- Construction of the panels
- History
- The discovery
- The initial studies
- - The work of André Glory. 1952-1963
  - Summary of the work of André Glory
- - The work of Norbert Aujoulat. 1988-1999
  - Tribute to Norbert Aujoulat
- Archaeological research
- Archaeology of the cave floors
- Dating the figures at Lascaux
- Interpretations
- Conservation & Perspectives
- A Strong State Committment
- The Preservation of Lascaux hill
- The Vermiculations
- A New Digital Model
- The Microbial Ecology of the Cave
- Surface/Cave Transfer
- Water and Carbon Material Transfer
- Visit the Replicas
- Practical Information
- Lascaux IV
- Lascaux II & III

Lascaux

The discovery of the monumental Lascaux cave in 1940 brought with it a new era in our knowledge of both prehistoric art and human origins. Today, the cave continues to feed our collective imagination and to profoundly move new generations of visitors from around the world.

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Media Library

Media library

Filtres - 251/304 Selected medias

All licences

BY-NC-ND : attribution + pas d'utilisation commerciale + pas de modification

BY-SA : attribution + partage dans les conditions initiales

All themes

Archaeological excavations

Architecture

Archives

Art

Artefacts

Arts and crafts

Environment

Everyday life

Funerary

Jewelry and clothing

Methods

Museum

Parietal art

Reconstitutions

Religion

Structures and Monuments

Team

Weaponry

All types of documents

3D Model

Drawings and surveys

Interactive media

Maps and plans

Photographs

Video

Zoom

Limestone plate
Red sandstone lamp found in the Puits while digging by A.Glory
Grinder
Reindeer antlers
Eyed needle
Assagai
Block of moulded clay
Distribution of the figures in the first part of the Axial Gallery
André Leroi-Gourhan drawing
André Glory's drawing of the left-hand section of the Panel of the Imprint.
Henri Breuil tracing the Panel of the Upside-Down Horse, Axial Gallery.
The discoverers

Pagination

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Current page 19
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Guided tour

Enter the cave
The Hall of the Bulls
The Axial Gallery
The Passageway
The Nave
The Chamber of the Felines
The Apse
The Shaft

The Setting

The Vézère valley
The archaeological context
The geological context
The Lascaux cave

Parietal art

The rock support
Access to the walls
Lighting
Portable objects
The raw materials
Themes
The techniques
Perspective
Construction of the images
Construction of the panels

History

The discovery
The initial studies
The work of André Glory. 1952-1963
The work of Norbert Aujoulat. 1988-1999

Archaeological research

Archaeology of the cave floors
Dating the figures at Lascaux
Interpretations

Visit the Replicas

Practical Information
Lascaux IV
Lascaux II & III

Resources

Medias
Biographies
Bibliography
Site plan
Discover Chauvet cave

Who are we ?

Grands sites archéologiques
Legal notices
Credits

About

Beyond time and space, the Archeologie.culture.fr collection presents the history and life of men through the research of the greatest specialists in French archeology.
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Discover other sites of the collection

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Contact - Accessibilité : Partiellement conforme - - 2024. Ministry of Culture (en)